Sovexportfilm Catalogue 1988-1989
Sovexportfilm Catalogue 1988-1989
Sovexportfilm Catalogue 1988-1989
Sovexportfilm Catalogue 1988-1989
Sovexportfilm Catalogue 1988-1989
Sovexportfilm Catalogue 1988-1989

Sovexportfilm Catalogue 1988-1989

  • Category: ARTS AND RECREATION
  • Brands: 2nd Hand Bookshop
  • Product Code: 700-03-01-E-1-A
  • Language: English
  • ISBN No: Not printed
  • Author: Editorial Team
  • Publisher: Sovexportfilm
  • Availability: In Stock
LKR 800.00

Product Summery

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Ratings: ★★★★☆ (3.5/5)
Genre: Film Catalogue, Soviet Cinema, Historical Document, Trade Publication

Review:
This is not a book for casual reading, but a fascinating historical artifact. It is a promotional brochure from Sovexportfilm, the powerful Soviet state agency that held a monopoly on the international trade of all Soviet cinema. Dating from the pivotal years of 1988-1989, it offers a unique snapshot of the Soviet film industry on the eve of the USSR's collapse.

The brochure, presented in French (on one page) and English (on another), is essentially a sales pitch. It introduces Sovexportfilm as ''your sure and faithful partner,'' the exclusive gateway to the entire output of Soviet film studios. It lists their services: selling films worldwide in various language versions, buying foreign films for Soviet distribution, licensing video rights, and providing a full range of promotional materials.

What makes this document interesting is its historical context. In 1988-89, the Soviet Union was undergoing radical change under Gorbachev's perestroika and glasnost. This brochure represents a state enterprise trying to engage with the global market, a world it had long been isolated from. The contact details—the Moscow address, the telex number, the phone line—feel like a relic from a bygone era of communication.

For film historians, this is a valuable primary source. It lists the services and, presumably, the films that Sovexportfilm was promoting at the time. It shows how the Soviet Union wanted to present its cinema to the world. For collectors of Soviet ephemera or anyone interested in Cold War-era cultural exchange, this is a curious and intriguing piece.

It's not a book you read cover-to-cover, but a document you study. It's a small window into a lost world, a reminder of a time when cinema was a tool of state policy and organizations like Sovexportfilm held the keys to the kingdom.

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